The Reality of a Pet Portrait Session

I’m asked all the time, “How do you get the dogs to sit still”?  Of course, I respond that it’s a trade secret that simply can’t be revealed.  If I told them, I would have to kill them.  Not really.   The reality is I don’t get them to sit still.  Frankly, I don’t  want them to sit still unless that’s what they normally do.  Even in the studio, I want the dogs to be dogs, to act as they would if they were at home or the park.

I do appreciate dogs who gladly comply with the “sit” and “down” commands so we can get a few traditional portraits.  However, those are NOT the images that usually excite me.  I like action and interaction.  To capture that takes time, patience, a little luck, and a lot of frames.  It also means a lot of “out-takes” or images a client isn’t likely to want printed and hung on the wall.

Still, these out-takes are often more true to the nature of the dog(s) and are a lot of fun to view.  More and more of these images are finding their way into my portfolio.  So, I guess they’re not really out-takes.  They’re just probably not what the client had in mind.

Just for fun, and to keep it real, I thought I’d post some images that I wouldn’t necessarily show an art director, or a portrait client for that matter.   Some have technical flaws, others are just silly.  With a few exceptions, these wouldn’t likely be included in the clients proof set.  They are representative of the personality of the dogs and their interaction with their mom.  They were great dogs, happy, playful, energetic.  They just wouldn’t comply with her idea of how they should behave during a photo session.  I, of course, had no preconceived ideas about how they should act on the set.  I learned that lesson a long time ago.

black-mutts-composite-1

Even when they do sit still, there’s no guarantee you’ll get “The Shot”.  I love the shots between the shots.  Here’s a series of head shots, actually the frames between the head shots where the dog isn’t giving me quite the look his mom would like.  I am getting the kind of looks that I happen to like.  A dog’s tongue is an amazing thing. In this series, the dog is totally out of the ideal position for the lighting set up.  That’s just one additional challenge when shooting a subject that prefers not to stay in one spot.

black-mutts-composite-2

Sometimes, the best approach is to just let the dogs do exactly what they want to do.  By the middle of a photo session, they’re getting a little tired of being encouraged to act a certain way.  They need some recess.  They also know if they hang around the set, they’ll keep getting treats.  So, I just let them play and I keep my eye in the viewfinder.  When there are two dogs that like to play with each other, things can get pretty crazy.  It’s times like this, I’m glad I have a decent sized backdrop on a sturdy stand.  I don’t know how some pet photographers get by using a small platform and a narrow (5 ft.) backdrop.  I need every inch of the 10-12 ft. wide  backdrops I use.   If it was practical, I’d have twice that width.  If you want the dogs to behave naturally, you have to give them some room.

black-mutts-composite-3

Once they’ve had some play time and a drink of water, they’re usually a little tired and tend to calm down.  This is typically when we can shoot more relaxed photos.  It’s not uncommon for a dog to lie down and fall fast asleep.  I’ll post a few of the “real” photos from the session in a few days.  We did manage to get quite a few photos the client will love.

Kurt Pas - I fully agree with the post above. I also like to start a session (indoor or outdoors) with some standard and save portraits. Later on it’s play time for the dog and their owners.
A wide open spot in nature or a bid backdrop will be helpful. Are you using paper backdrops or curtain/muslin? Paper is so easily damaged during the playtime.
I also noticed in a wide Varity of your shots a very pleasing and shallow DOF. On the more active shots everything is spot-on. Technically, if you didn’t change the settings of your strobes, both type of pics should have more ore less the same DOF. Is the shallower DOF done by post processing?

Grtz!
KurtJanuary 18, 2009 – 3:11 pm

LME - Hi Kurt,

Great questions! I frequently use white seamless. Yes…it gets beat up quickly so I buy large rolls and have the scissors handy so I can trim it quickly, as needed, during a session. The backdrop in the photos in this thread is a medium weight canvas (11×30 feet) that I painted. I have several of these and will be painting a few more in the next month. I haven’t had luck with muslin as it’s just too flimsy for my uses. It gets bunched up when the dogs play. The canvas just lays better and handles the abuse very well.

During a shoot, I’m constantly adjusting lights. I typically have the luxury of an assistant and she follows directions well when I shout out things like “down two clicks on the key light” or “up half again on the fill”. From frame to frame, my fingers are spinning dials to adjust aperture and even ISO. It’s just become second nature. I tend to stick with the same shutter speed (max synch speed) when shooting in the studio. I also change lenses quite a bit during a shoot. I most frequently use a 24-70 but have a 12-24 and a 105 sitting right next to me. As the dogs do different things, I switch out lenses on the fly. That’s probably why you’re seeing some with very shallow DOF (telephoto) and others with more DOF (wider). The lighting would stay basically the same but the DOF will be considerably different, as will the compression of the scene. I don’t do any selective blurring in post. I don’t have the patience for it. I don’t enjoy post processing so I try to keep it to general adjustments, basically batch processing the RAW files and a crop here and there. For client prints, I’ll go in and retouch as needed (and it’s always needed thanks to drool spots and treat crumbs).

I hope that answers your questions. Thanks for stopping by and asking!

LaurieJanuary 18, 2009 – 8:09 pm

Velvet - This is a great post (I happened upon it through Flickr.) I volunteer at my local animal shelter, and I’ve been doing some shots of some of the dogs there, and ooooh boy, it is a challenge! I definitely agree that it is best to let the dog move and capture as you can!

You’ve got some great stuff here. :-) February 7, 2009 – 8:28 am

The Reality of a Pet Portrait Session LMEimages | FISH TANK PRODUCTS - [...] A smart blogger put an intriguing blog post on The Reality of a Pet Portrait Session LMEimagesHere’s a quick excerptSee what’s up with LMEimages and award winning photographer Laurie Meehan-Elmer, Tampa Bay area’s fine art pet photographer. … DogChannel.com · LMEimages Old Blog · LMEimages website · Pinellas Animal Hospital … [...]January 22, 2009 – 8:16 am

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